Miriam Fried, Clancy Newman, and Miri Yampolsky present Brahms's Piano Trio in B major, Op. 8 (revised version, 1889)
- Allegro con brio
- Scherzo: Allegro molto
Piano: Steinway D (New York, 1908)
Guest Artists Miriam Fried and Clancy Newman
Miriam Fried has been recognized for years as one of the world’s preeminent violinists. A consummate musician—equally accomplished as recitalist, concerto soloist or chamber musician—she has been heralded for her “fiery intensity and emotional depth” (Musical America) as well as for her technical mastery. Fried has played with virtually every major orchestra in the United States and Europe and has been a frequent guest with the principal orchestras of Boston, Chicago, Cleveland, New York, Philadelphia, and Pittsburgh, as well as with the Israel Philharmonic, the London Symphony, the Royal Philharmonic, and the Vienna Symphony.
Recital tours have taken her to all of the major music centers in North America and to Brussels, London, Milan, Munich, Rome, Paris, Salzburg, Stockholm, and Zurich.
In recent seasons, her schedule has included orchestral engagements with such prestigious ensembles as the Berlin Philharmonic, the Orchestre de Paris, the Czech Philharmonic, the Los Angeles Philharmonic, the Jerusalem Symphony, the Orquesta Filarmonica de Mexico, the Japan Philharmonic, the Montreal Symphony, the St. Petersburg Philharmonic, the Milwaukee Symphony, and the BBC Philharmonic. She premiered a violin concerto written for her by Donald Erb with the Grand Rapids Symphony and recorded the work for Koss in 1995.
Since 1993, she been chair of the faculty at the Steans Institute for Young Artists at the Ravinia Festival, one of the country’s leading summer programs for young musicians. Her involvement there has included regular performances, including recitals and concerts with the Chicago Symphony. Fried’s highly praised 1985 New York recitals of the complete Bach Sonatas and Partitas for solo violin were the culmination of three years of international performances. She returned to this music with a recording made in France for the Lyrinx label. She has also made a prize-winning, best-selling recording of the Sibelius Concerto for the Finlandia label with the Helsinki Philharmonic under the direction of Okko Kamu.
Chamber music plays an important role in Fried’s musical life. She was first violinist of the Mendelssohn String Quartet until it disbanded after 30 years, and has collaborated with such distinguished artists as Isaac Stern, Pinchas Zukerman, Garrick Ohlsson, Nathaniel Rosen, her son, pianist Jonathan Biss, and her husband, violinist/violist Paul Biss. She has been featured guest artist at Chamber Music East in Boston, the La Jolla Chamber Music Society SummerFest, the Lockenhaus Festival, and the Naantali Festival in Finland.
Miriam Fried’s successful solo career was launched in 1968 after she was awarded First Prize in Genoa’s Paganini International Competition. Three years later she claimed top honors in the Queen Elisabeth International Competition, where she gained further world attention by becoming the first woman ever to win the prestigious award. Her early childhood included lessons with Alice Fenyves in Tel Aviv, as well as the opportunity to meet and play for the many great violinists who visited Israel, including Isaac Stern, Nathan Milstein, Yehudi Menuhin, Henryk Szeryng, Zino Francescatti, and Erica Morini. She came to the United States as a protégée of Isaac Stern, and continued her studies with Ivan Galamian at the Juilliard School and with Joseph Gingold at Indiana University.
Cellist Clancy Newman, first prize winner of the prestigious Walter W. Naumburg International Competition and recipient of an Avery Fisher Career Grant, has had the unusual career of a performer/composer. From Albany, NY, he began playing cello at the age of six, and at twelve he received his first significant public recognition when he won a Gold Medal at the Dandenong Youth Festival in Australia, competing against contestants twice his age. In the years that followed, he won numerous other competitions, including the Juilliard School Cello Competition, the National Federation of Music Clubs competition, and the Astral Artists National Auditions.
He has performed as soloist throughout the United States, as well as in Europe, Asia, Canada, and Australia. He can often be heard on NPR’s “Performance Today” and has been featured on A&E and PBS. A sought after chamber musician, he is a member of the Clarosa piano quartet and the Chicago Chamber Musicians, and a former member of Chamber Music Society Two of Lincoln Center and the Weiss-Kaplan-Newman trio. He has also toured as a member of “Musicians from Marlboro.”
He developed an interest in composition at an early age, writing his first piece at seven, a piece for solo cello. Since then, he has greatly expanded the cello repertoire, including pieces for solo cello, cello ensemble, cello and piano, and his Four Seasons of Life for cello and string orchestra. His “Pop-Unpopped” project, in which he writes solo cello caprices based on pop songs, has been ongoing since 2014 and has led to an exploration of cello techniques heretofore unimagined. He has also written numerous chamber works, having been a featured composer on series by the Chamber Music Society of Lincoln Center and the Chicago Chamber Musicians, and his piano trio, Juxt-Opposition, is available on Bridge Records. In March 2019, Cherry Blossom Fantasy, a piano quintet commissioned by the Ryuji Ueno Foundation, was premiered at the opening ceremony of the National Cherry Blossom Festival in Washington, D.C.
Mr. Newman is a graduate of the five-year exchange program between Juilliard and Columbia University, receiving a M.M. from Juilliard and a B.A. in English from Columbia. His teachers have included David Gibson, Joel Krosnick and Harvey Shapiro.
Co-sponsored by the Central New York Humanities Corridor from an award by the Andrew W. Mellon Foundation